Animation Prices in Egypt: What Drives the Cost

Animation prices in Egypt are not set by a fixed price per minute but by four factors: the length of the work, the style of execution (ready-made templates, custom drawing, or frame-by-frame animation), the number of characters and environments, and the number of revision rounds. That is why two quotes for the same description can differ greatly, and the best way to compare them is to put the same brief in front of everyone and compare what each quote includes, not the figure alone. You will not find a price table here. Any number written without a project brief is a guess, and we do not want to publish a guess as a fact. Instead you will find what really sets the price, how to write a brief that can be priced, and how to read a quote you have received. The guide is for companies, agencies, channels and platforms requesting quotes from studios in Egypt.

### 📊 Pricing animation: four points - 📐 **Scope before figure:** The price is the result of a written scope: length, style, characters and revisions, not the other way round. - 🎨 **Style matters most:** Templates, custom drawing and frame-by-frame animation are three different jobs carrying one name. - 🔁 **Revisions are part of the price:** Know how many rounds are included and the difference between an edit and rework before you sign. - 📝 **One brief for everyone:** If you send the same brief to every studio, the quotes become comparable.

What sets the price of animation? ---------------------------------

Factor	Why it raises or lowers the cost	What you do to control it
Length	Every extra second needs drawing, animation and sound	State the length you need, and split long content into short clips
Style of execution	Templates are quicker, custom drawing is slower, frame-by-frame is slower still and gives more control	Define the style by example, not by name, and attach reference images
Characters	Each character needs a design, angles and expressions, and animating them is harder than animating objects	Reduce the number of main characters and reuse them across clips
Environments and backgrounds	Every new place is a new drawing	Start with a few places that repeat
Writing	Who writes the script? If it is not ready, that is extra work	Send a draft text, even an unfinished one
Sound	Professional performers and recording quality cost money, and weak voices weaken the whole work	Fix the number of voices, the dialect and the amount of dialogue
Revisions	Each round of edits after approval may mean rework	Agree the number and scope of rounds in advance
Delivery and rights	Source files, several formats and a wide licence are all extra items	Write what you actually need: delivery formats and places of use

Why do quotes for the same description differ? ---------------------------------------------- You may receive two quotes for a description that looks identical, with very different prices, and the reason is usually that they do not describe the same work: - **A wide term:** “animation” covers repeated templates and hand-drawn artistic animation, and their prices cannot be compared. - **Unwritten scope:** one quote assumes two characters and one environment, the other assumes more, and neither asked the other. - **Vague revisions:** one quote includes set rounds, and one promises open-ended edits that turn out not to be open-ended. - **Sound and writing:** one includes them, and the other adds them later as a separate item. - **What is delivered:** the project's source files, the formats and the rights may be inside the price or outside it. How do you write a brief that makes quotes comparable? ------------------------------------------------------ 1. **Goal and audience:** what the video will do, for whom, and where it will be shown. 2. **Length and number:** how many clips, and roughly how long each is. 3. **Style by example:** attach three examples you like and one you do not, and write why. 4. **Characters and environments:** how many main characters, how many places, and whether they return across clips. 5. **Writing and sound:** is the text ready? Which dialect? How many voices? 6. **Revisions and delivery:** the number of expected edit rounds, the delivery formats, and the date you need it. If your project is a whole library rather than one clip, read [budgeting an animated educational content library](/en/blogs/understanding-motion-graphics-video-pricing), and to protect the budget before animation starts read [storyboard and animatic](/en/blogs/animatics-storyboard-studio). How do you read a price quote? ------------------------------ - Is the scope written: length, style, number of characters and environments? - Is the number of revision rounds stated, and what is the definition of an edit versus rework? - Are writing and voice recording inside the price or a separate item? - What exactly is delivered, and do the files include the source files? - How are payments divided: by approved stages or one large payment at the start? - What is the schedule for each stage, and when are the storyboards and the audio version delivered? Ask every studio the same questions, then put the answers in one table. The studio that answers every question clearly is more useful to you than the cheapest one that leaves half of them open. For choosing the studio itself, see [how to choose an animation studio for your project](/en/blogs/key-factors-choosing-animation-production-company). Common mistakes when requesting prices -------------------------------------- - **Asking “what is the price per minute?” with no brief:** you get a general number that binds no one. Send the brief first. - **Comparing figures, not scopes:** you choose the cheapest, then pay the difference in revisions. Compare what each quote includes. - **Saving on what looks unnecessary at the start:** script writing, storyboards and the animatic are what prevent costly rework. - **Ignoring sound:** weak sound costs the work a large part of its quality. - **Revisions with no limit:** or no definition, so every file turns into a new discussion. - **Changing the brief during the work:** every change after approval is extra work that gets priced. Suppose a channel receives two quotes for a short series, one clearly cheaper. Before choosing, it puts both in the table above and finds that the cheaper one leaves out voice recording and sets no revision rounds. So it asks each studio for a revised quote against the same brief. This is a hypothetical example to show the method, not something that happened. How we look at pricing ---------------------- Hawadet Studio is an early-stage Arabic animation studio, so we do not show you a price list and we do not compare ourselves with anyone; what we show is a way of working you can examine. We work in successive stages (script, then character bible, then storyboards, then animatic, then animation, sound and editing), under a flexible revision policy within a scope agreed in advance. The most important thing we learned is that the biggest mistake that forced us to redo work was rushing the foundation steps to save time. The foundation, like the animatic, is one of the most important stages because everything after it is built on it, and it saves effort in every later stage however long it takes. So we advise you not to squeeze the cost at the expense of writing and planning. Our original work is on the [projects page](/en/projects). Frequently Asked Questions -------------------------- ### How do I work out the budget for an animation project? Fix the length, the style, the number of characters and environments, whether the script is ready, and the number of revision rounds. Then send this brief to more than one studio and compare what each quote includes. ### Why does voice-over sometimes cost extra? Professional human performance needs clean recording and performers who suit the characters, and the cost varies with the number of voices and the amount of dialogue. Weak voices weaken the whole work, so saving there is not advisable. ### Are there surprise costs when I ask for changes? They appear when the number and scope of revision rounds are not set. Radical changes after a stage is approved mean rework, so write into the contract what each round covers and what counts as rework.

Looking for an end-to-end creative production partner for your next project? [Contact Hawadet Studio Now](https://hawadet.com/en/contact-us)

#### Hawadet Studio Team 2D & 3D Animation Production Studio The Hawadet team is an animation production studio, working in hand-drawn 2D and cinematic 3D, specialising in children's content, educational animation, and original IP development for broadcasters and streaming platforms. These articles explain the production pipeline, from concept to delivery.

[ Back to Articles ](https://hawadet.com/en/blogs)